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Àlex Ollé ((:ˈaɫəks uˈʎe)) (Barcelona, 1960) is one of the six artistic directors of La Fura dels Baus, one of the most innovative and prestigious theatre companies on the international scene, which was founded in 1979 and has been characterised from the start by the search for its own language in which public participation is key for developing the show. Prominent works from its early period include ''Accions'' (1984), ''Suz/O/Suz'' (1985), ''Tier Mon'' (1988), ''Noun'' (1990) and ''MTM'' (1994), which established ''La Fura dels Baus'' as a top company among both critics and the public. In collaboration with Carlus Padrissa, Ollé created and directed ''Mediterrani, mar olímpic'', the epicentre of the opening ceremony of the 1992 Barcelona Olympic Games, an event that fascinated and left a mark on millions of viewers around the world. Since then, Ollé’s theatrical career has been characterised by different genres, creating and directing plays, operas and large-format shows for different commemorations and events, always with the mark of his own personal language and that of the company he founded. == Opera == The first operas that Àlex Ollé directed were joint projects with Carlus Padrissa and the artist Jaume Plensa: ''L'Atlàntida'' (1996) by Manuel de Falla and ''Le martyre de Saint Sébastien'' (1997) by Claude Debussy. These were followed by ''La damnation de Faust'' by Héctor Berlioz, which debuted in 1999 at the Salzburg Festival; ''DQ. Don Quijote en Barcelona'' (2000), with music by José Luis Turina and libretto by Justo Navarro, which premiered at the Gran Teatre del Liceu de Barcelona; ''Die Zauberflöte'' (magic flute ) (2003) by W. A. Mozart, as part of the Ruhr Biennale, a co-production of the Opéra National in Paris and the Teatro Real in Madrid; ''Bluebeard’s castle'' by Béla Bartók and ''Diary of one who disappeared'' (2007) by Leoš Janáček, presented under a single programme, a co-production of the Opéra National in Paris and the Gran Teatre del Liceu in Barcelona. With the collaboration of Valentina Carrasco, he directed the mise-en-scène of ''Le grand macabre'' (2009) by György Ligeti, co-produced by the Gran Teatre del Liceu, the Théâtre Royal de la Monnaie in Brussels, the English National Opera in London and the Opera di Roma. In 2010, this stage work was selected to open the 50th Adelaide Festival of Arts in Australia. Together with Carlus Padrissa he directed ''Aufstieg und Fall der Stadt Mahagonny'' (and fall of the city of Mahagonny ) (2010) by Kurt Weill and Bertolt Brecht, which debuted at the Teatro Real in Madrid and was rebroadcast live via satellite to 127 movie theatres in Europe in Mexico. In 2011, he directed ''Quartet'' by Luca Francesconi, based on the play of the same name by Heiner Müller. The opera debuted at the Teatro alla Scala in Milan and was co-produced with the Wiener Festwochen in collaboration with IRCAM in Paris. This production received the prestigious Abbiati Award for La migliore Novità assoluta. This year he is also presenting ''Tristan und Isolde'' by Richard Wagner at the Opéra in Lyon. French critics have chosen this production as one of the top three winners of the year by the newspaper Le Temps. In 2011 he also opens ''Oedipe'' by George Enescu, co-produced by the Théâtre Royal de la Monnaie in Brussels and the Théâtre National de l’Opéra in Paris. His first Verdi ''Un ballo in maschera'', opened in Sydney Opera on January 2013, won the Helpmann Award for the opera stage direction in the season 2012/2013. This is a production between Opera Sidney, Teatro Colón de Buenos Aires, Théâtre Royal de la Monnaie in Brusels and the Norwegian National Opera & Ballet of Oslo. During the 2013 he also directed ''Il Priggioniero'' by Dallapiccola and ''Erwartung'' by Schoenberg, opened in Justice & Injustice festival in the Opéra de Lyon and ''Aida'' by Verdi, together with Carlus Padrissa, to open the Centenario de l’Arena di Verona. This year he has premiered Giacomo Puccini ''Madama Butterfly'' at the Opera Handa, a mounting outdoors in the Bay of Sydney with the skyline of the city as spectacular backdrop; ''Faust'' by Charles Gounod, a coproduction of the Teatro Real and the Nederlandse Opera, and ''Der Fliegende Holländer'' by Richard Wagner, produced by the Opéra de Lyon, the Opéra de Lille, Opera Australia (Melbourne Opera) and the Bergen Nasjonale Opera. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Àlex Ollé」の詳細全文を読む スポンサード リンク
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